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The Musical

by Elle León

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1.
Chills 00:38
I’ve got the kind of chills I would like to send to the hairs on the back of your neck When I’m home, when I’m home What you want won’t always be so set in stone
2.
End of an era How nice of you to let me in After the heat was dialed down And the walls were wearing thin I say my piece and head outside as a woman of her word The kind of wisdom that goes unnoticed but heaven knows you’re understood Heaven knows you’re understood End of an era It was long just watching from the sides Seems I had trouble with holding back And not trying hard enough to try But sure, life is insecure When you’re sleeping on the floor With all you’ve waited for, You’ll always ask for more More How could I let this wait in its origin of damage? It was easier to take it out on you Yeah but who’s got the guts today to find Relief from all that’s happened ‘Cause it’s easier than going a different route Route Into something new
3.
Pedestal 02:44
Looking down from that pedestal I saw in a dream I tilt my head to find its balance I ask myself if it’s a long-term thing And ‘what is life without a challenge?’ and why I’m not much of a dancer no more, but I’ll jump at the chance like before To be free enough to fail and be up and running again Again Again Again OH! Could have sworn I wasn’t gonna pull this shit no more; Would it even make a difference? ‘Cause two-by-two is how we manage to slip away From all outside of common interest Now I’m back at it Gonna take a second trip To see what hides beneath the rug With all the strings I’ve pulled for this For this For this For this I don’t wanna go back to the things that were said in the heat of the moment Oh I... Should have watched my mouth I don’t wanna go back to the things that were said in the heat of the moment
4.
Best Moves 03:00
Waiting it out, I’m much at loss of my play on words However nice it was to sing your praise Been floating around above middle ground between a vital stage And bridges that mark the border of now and that first Sunday morning feeling What a Sunday morning feeling What a Sunday morning feeling Doing my best as a silent worker on the case I save the best move for last Oh but take it all in, What you want won’t always be so set in stone How ‘bout a dose of impulse for the summer’s longest evening? It’s the summer’s longest evening It’s the summer’s longest evening Fighting off all expectations before they’re set in stone I plan on saving the best move for last
5.
Night Talk 03:22
There’s something on the rise You’ve heard this all before There’s something on the rise to forgive and forget Night Talker takes the stage and tells me not to Tone it down, Not to understate the way I know just how to put you off Maybe I take more than I should Night talkin’s blown some steam You’re up against your lover’s walls Wasn’t it a sweeter deal looking forward With the lights turned off? But I misplaced the pleasure to become the party You’ve got to entertain yourself When something’s on the rise ‘Cause how am I to live with that? There’s something on the rise to forgive and forget Maybe I take more than I should Couldn’t always get my way but I knew just how to feel put out By blind mistake The pressure to become the party will have to entertain itself There’s something on the rise And how am I to live with that? There’s something on the rise to forgive and forget
6.
Conclusions 03:52
A closer contradiction of taking my time Will fit a loose description of static and wild Thinking about my mother when she was my age On the surface, I trust like a child And everybody’s easily lead We’ll have that conversation another last time I’ll come to your conclusions and you’ll never ask mine You’ll never ask mine You’ll never ask mine Should I lose another Should I lose another Should I lose another day Washing sunlight off my face? Running out of purpose I rush by design To where your body’s easily lead We’ll have that conversation another last time Why come to your conclusions if you never ask mine? You never ask mine You never ask mine For as long as you curse, It could always be worse in this coming-of-age Force of habit but I knew my truth Was all I could have laid ‘Cause I’ve always lived like this, Without thinking ahead ‘Til harvest is over there’s little to show For the money that I make and throw away How long can you live like this Without thinking ahead? ‘Til harvest is over there’s little to talk about But money that you make and throw away You never ask mine, never ask...
7.
All this perseverance has emphasised And all this love has lured an acknowledgement in I thought I’d only have to go and raise my voice as a last resort but don’t hold any promises down, Depending on the day that was had Confiscated takes on truth Have seen this ultimatum through But there’s a certain part of you that screams you’re on to me Oh Open up your fantasies Why’d I always have to go and raise my voice ‘stead of steering clear Of good reasons to be heard? Oh And it’s underrated to cut loose Might save ourselves from the seclusion nananana Think nothing of it ‘cause nobody hates you, You’re just paranoid Oh, oh, oh... The will to compromise The need to satisfy But that’s not to justify This kickin’ off!
8.
Took a step back from the pushing And making the initial approach I’ll try just to stay in the moment, Put into practice just what everyone knows But few would have told me That love’s not a competition I made the most peculiar scenes Caught myself out I was fishing For any compliment I wouldn’t believe Well isn’t that something It’s nothing worth fighting It’s nothing worth fighting When I hurt myself, I’m hurting you It’s nothing worth fighting It’s nothing worth fighting When I hurt myself in hurting you Went to the place I imagine When things don’t go according to plan But I always stay where my heart is, Although sometimes it needs my Mam and my Dad And all of those faces I drink to us young, down the valley, Glad to see the end of the year ‘Cause I won’t be home over Christmas Oh but I’ll make the most of what I got here And think of you fondly ‘Cause I’m not afraid if our love ever changes I know it’s all for some greater good It’s all in the music that we play to get us through the cold It’s all in the music that we play to get us through the cold
9.
The upper hand reaching down again Lashing out as intuition Understand there are two ways to have it all If you see the bigger picture I had to keep my wits about me Taking that walk home I like to keep my chin up While you’re staring at your phone Although I’ll provide the space for you to settle down, I’m not half the girl to sit still ‘Cause life is magic! Life’s not safe! You need to play around You need to see the bigger picture! You’d want to keep your wits about you Be tasteful with your tone I like to see your chin up But you’re staring at your phone! There’s no way it’s gonna be Too close for comfort in a plan b The world is speaking in waves this month Paraded trained realities Wander wild in all what might have been The world is speaking in waves this... I had to keep my wits about me And take the long way home And try to string my thoughts together While they’re staring at their phones
10.
Proscenium 00:38
Letting go
11.
Head to the wall Not at all what was asked for Turn that old look to how good we’ve got it here Walking it off, I knew it was uncalled for, Took to the ground by the sound of ‘It’s up to you’ There’s nothing out of our hands There’s nothing out of our hands Souls don’t decide Why should I be obliged to? Keep that in mind while I lay there Beside you tonight I could only comfort you in ways That time is lost in time it took to say ‘There’s nothing out of our hands’ There’s nothing out of our hands
12.
Here goes Closing chapters Not like I’ve given up or hardly tried I’m writing all about it, Marked the pages For when I’m out of focus or out of line Or get this feeling again In come Those pre-staged reminders Of someone like yourself who will understand On top of all the countless things I can’t change I felt a force directed at those I can And gave perspective a try Everyone around me is a work of art Although we all could surely do with a brand new start Somewhere down the line Everything’s gonna be fine When we get our hope’s up Letting all this out’s laid me bare enough to play the part Of anyone who’s worked their way into someone’s heart Who’ll know that somewhere down the line, Somewhere down the line, People get our hopes up

about

Elle León ens dibuixa emocions plàcides i alhora punyents amb la seva veu i ens embolcalla amb unes melodies que ens fan sentir com si de cop només aquest moment importés.
De múltiples qualitats artístiques, la cantautora Irlandesa va decidir emprendre el vol i allunyar-se de la seva Irlanda per guanyar perspectiva i poder explicar les anècdotes viscudes des de la casa que ha trobat a Barcelona.

Després d’aparèixer amb el seu EP debut “Heart to Hearts” (2020, Punto G Label), que la va portar a tocar per Barcelona i Irlanda, aquest 2022 torna plena d’inspiració per a presentar el seu primer LP “The Musical” (2022, El Jardí Amagat/Bankrobber).
En aquest disc, l’artista pren inspiració i referències no només musicals, sinó del teatre i la poesia per mostrar les seves cartes mostrant una Elle León més brillant, felina i confiada, que ens fa ballar amb tornades addictives i arranjaments instrumentals fets amb bon gust. Destaca també, per la honestedat amb si mateixa que confessa en cançons compostes i gravades ella sola amb el piano.
És dins aquest musical on apareixen i es barregen múltiples personatges que Elle ha anat creant i l’han fet arribar a conclusions i inquietuds abans amagades. Algunes més valentes, tendres o exagerades; les que no demanen permís i les que si.

Per a aquest projecte, Elle León ha comptat amb la producció de Víctor Valiente (Standstill, Mi Capitán), creant un àlbum que experimenta amb diversos sons del pop-rock amb tocs teatrals; un espai idíl·lic on la veu es fon plàcidament amb l’instrumentació.

En directe, Elle León connecta per la seva sinceritat, ens convida a moments íntims i després ens fa ballar i riure. Acompanyada per Guillem Torà a la guitarra elèctrica, Narr Eph al baix, Dani Arias a la bateria i Albert Lax als teclats, veus i guitarra acústica. El grup ofereix un show divertit, atrevit i madur. El pop en la seva versió més elegant, més charming.

credits

released November 18, 2022

All songs written by Elle León
Recorded at La Masia Music Lab*
Produced by Víctor Valiente and Elle León
Engineered by Josep Vilagut*
Mixed by Jose González
Mastered at Vacuum Mastering by Javier Roldón
*Somewhere Down The Line recorded at La Atlántida Estudio by Jose González

Elle León: Vocals, electric guitar, piano
Xavi Molero: Drums, percussion
Narr Eph: Bass
Guillem Torà: Electric guitar, lap steel on Best Moves
Sergi Zaragoza: Keys
Víctor Valiente: Synths, keys
Albert Lax: Acoustic guitar, backing vocals
Mirlo: Electric guitar on Conclusions

Cover credits:
Photography by Mariana Stankevich
Design by Patricia Atzur

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